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康雍乾三世,正是我国戏曲发展史上花雅竞胜的时期,《红楼梦》作为康乾时期最具代表性的著作,从戏曲文化角度看,真实地反映了当时“花雅之争”的盛况。本文通过对《红楼梦》演剧活动中所上演的雅部与花部的比重,演剧所用戏班的属性,以及作者曹雪芹对“花部”、“雅部”的不同态度,来揭示中国戏曲史上“花雅之争”的真实面貌。
Kang Yongqian III is the period of Hua Ya Jing Sheng in the history of Chinese opera development. As one of the most representative works during the Kang-Kang period, “Dream of Red Mansions” truly reflected the grand occasion of “Hua Ya Zheng Zheng” . This article through to the “Dream of Red Mansions” drama activities staged in the proportion of the Ministry of Justice and Department of flowers, the drama used in the performance of the class, as well as the author Cao Xueqin on the “Flower Department”, “Ya Department” of different attitudes Reveal the true appearance of “Hua Ya dispute” in the history of Chinese opera.