人们已指出钱杏 3 0年代革命文学批评跟日本藏原惟人的无产阶级现实主义的关系 ,并深入分析了他的“新写实主义的特征及本质”。“钱杏所接受的‘新写实主义’ ,在集中了藏原的‘无产阶级现实主义’的两个命题的内容时 ,着重点是放在‘第一命题’ (或者说实际上只是‘第一 People have pointed out the relationship between Qian Xingan’s revolutionary literary criticism in the 1970s and proletarian realism in Japan’s only possession of Kyungwai, and further analyzed his “characteristics and essence of neo-realism.” "The neo-realism accepted by Qian Xing-tang focuses on the first proposition (or, in fact, only the ’second proposition’) in concentrating on the two propositions of ’original proletarian realism’ the first