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从《临时演员》、《人工剧团》等作品来看,张巍很重视对人性的洞察,这可能与他的生活经历和知识储备有关。他的这些看似客观记录的摄影人像,其实经过了大量的电脑后期处理,呈现出一种微弱的荒诞感。因为貌似客观记录,这种介于真实和虚拟之间的微弱荒诞感,在感觉上更加牵动人心。张巍曾经是画家,但这几年选择了摄影。与其说张巍是位摄影者,不如说他是一位以摄影的方式制造虚拟图像的人。再纪实的摄影或录像,都不是客观物象本身,因为镜头充满着机器和人的种种局
From “extras”, “artificial theater” and other works, Zhang Wei attaches great importance to human nature, which may be related to his life experience and knowledge reserve. These seemingly objective records of these portraits, in fact, after a large number of computer post-processing, showing a weak sense of absurdity. Because of the seemingly objective record, this weakness between reality and fiction feels more touching. Zhang Wei was a painter, but in recent years chose photography. Zhang Wei is not so much a photographer as saying that he is a person who creates virtual images by photography. Re-documenting photography or video is not an objective phenomenon itself, because the camera is full of machines and people’s various bureaux