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陈真这一人物形象在华语电影中被反复书写,而存在于陈真电影中的民族主义始终会激起观众强烈的反应。在表现陈真形象最具代表性的三部作品——《精武门》、《精武英雄》、《精武风云·陈真》中,伴随着中国自身全方面发展,电影中所折射的民族主义也不断的发生着变化。这种变化为探讨民族主义在电影中扮演何种角色,其存在是否具备充分的合理性及其在何种程度上得以存在提供了有益的切入点。
The image of Chen Zhen was repeatedly written in Chinese films, while the nationalism that existed in Chen Zhen’s movies always stirred up the audience’s strong reaction. Among the three most representative works of Chen Zhen, “Fist of Fury,” “Heroes of Fighters,” and “Legend of the Fist, Chen Zhen,” accompanied by China’s own all-round development, the reflections of nationalism in the film Also constantly changing. This change provides a useful starting point for exploring the role nationalism plays in movies, its existence is fully justified and to what extent it exists.