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本文对宋代《淳化阁帖》及其他刻帖中的古体书法,进行了考察。对所收仓颉书等伪作作了论析,并涉及了《绍兴米帖》中的米芾篆书作品,还对薛尚功《历代钟鼎彝器款识法帖》原初的编刻目的等作了探讨。
This article examines the calligraphy of Chunhua Pavilion and other ancient calligraphy in the Song Dynasty. It also discusses the fake works such as Jiekai which are collected and discusses the works of Mi 芾 Seal in “Shaoxing Meitie”.