小说是一种语言的艺术,而电影基本上是一种视觉的艺术。小说依靠语言的模糊性和多义性使读者获得关于人物、情境的想象,电影则不同,电影重画面和声音,观众必须从画面中获得信息和思考。电影《推拿》通过对小说素材的电影化处理,完成了对于小说的叙事重构,是一次比较成功的改编。一、人物的塑造电影《推拿》几乎保留了毕飞宇小说中的所有人物,大到主要人物,如王大夫、小孔、小马、沙复明、都红等,小到金大姐、出租车司机等。而且电影对于主要人物形象 Fiction is a linguistic art, and cinema is basically a visual art. The novel relies on the ambiguity and ambiguity of the language to make the reader get the imagination about the characters and the situations. The movies are different. The movie reappears and the sound. The audience must obtain the information and thinking from the picture. Through the filming of the material of the novel, the film “Massage” has completed the reconstruction of the narrative of the novel and is a relatively successful adaptation. First, the character’s shaping The movie “massage” almost retains all the characters in Bi Feiyu’s novels, big to the main characters, such as Dr. Wang, holes, pony, sand Fuming, are red, small Sister Kim, taxi drivers, etc. . And the movie for the main characters