网络小说改编剧在影像美学革新上与19世纪的英国唯美主义和20世纪的日常生活审美化密切相关。但随着我国大型城市出现消费社会的特征,审美泛化模式逐渐消解了内在的文化精神,文化可以成为反抗权力的阵地,同样也可以和权力结盟。网络小说改编剧叙事并未保有青年亚文化的先锋意识,而是与消费文化语境深度融合,讲述一个又一个唯美“神话”。 Network novel adaptation plays a close relationship with 19th century aestheticism of British aesthetics and daily life in the 20th century in the aesthetics of image aesthetics. However, with the appearance of the characteristics of consumer society in large cities in China, the aesthetic generalization mode gradually dissolves the inherent cultural spirit. Culture can become a position to resist power and can also alliance with power. Network narration does not retain the pioneer consciousness of youth subculture, but integrates profoundly with the cultural context of consumption, and tells the story of aesthetic “myth” one after another.