作为“旋构塔”青年推介展的第二届,本次展览延续了上一届的组织模式,由不同地区的三位策展人从各自角度探讨青年艺术的创作生态。事实上无论是手感的物质性诉求,还是“聚合”与“多酶”枝蔓的世界,提示出的均是基于青年艺术家“主体建构”这个“一”的几个侧面,几种现象。在青年艺术家普遍焦虑、青年艺术展大肆泛滥的今天,围绕问题展开生态观察与现象解读的展览无疑是可贵的,它为我们挖掘出一批人,并提出了持续关注的理由与价值。从近些年涌现的大批青年艺术家与青年艺术展来看,并不缺少问题意识,缺少的是真问题。艺术家或者是表面强调、实际搁置,或是偶发于心、意志力不足。这就是创作如此自由的时代反而出现艺术单一化趋向的原因。青年艺术家应该走出狭小的艺术圈子,以整个人类知识为师,从厚重的历史与脚下的现实出发,寻找属于自己的真问题或文化针对性。只有以此为基础和依托,才可能成为真正伟大的艺术家。 As the second session of the “Rotary Tower” Youth Promotion Exhibition, the exhibition has continued its organizational model of the previous session. The curators from different regions explored the creative ecology of young art from their respective perspectives. In fact, whether it is materialistic appeal of hand feeling or the world of “aggregation ” and “multi-enzyme ” branches and dendrites, it is suggested that several of them are based on young artists "subjective construction Side, several phenomena. At a time when young artists are generally anxious and youth art shows proliferate, the exhibition of ecological observation and phenomenon interpretation around the issues is undoubtedly precious. It has uncovered a group of people for us and put forward the reasons and values ​​for continuing attention. In view of the large number of young artists and youth art exhibitions that have emerged in recent years, there is no lack of awareness of problems and the lack of true issues. The artist either superficially emphasizes, actually shelves, or sporadically, with insufficient willpower. This is why the creation of such an era of freedom turns out to be a trend of simplification of the arts. Young artists should step out of the narrow art circle and use the entire human knowledge as a teacher, starting from the thick history and the reality at the feet to find their own real problems or cultural pertinence. Only on this basis and relying on it may become a truly great artist.