曹文轩同志在其观点鲜明的论文《哲学:对“再现论”的全盘否定》中(《百家》1989年第3期),从哲学角度否定了艺术的“再现论”,也否定了艺术既是“再现”又是“表现”的理论,明确提出世界上只有表现的艺术,没有再现的艺术,将“再现”引入文艺领域,从一开始就是一个失误。文章认为过去对康德的“物自体”,对叔本华的“世界是我的表象”的理论 Comrade Cao Wenxuan denied the “theory of reproduction” of the arts from his philosophical point of view in his clear-cut treatise “Philosophy: A Total Negation of Reproduction” (“百家” 1989 年 第 3 期), and also denied that art is both “Reproduction” is a theory of “performance.” It is a mistake from the very beginning to explicitly state that there is only art represented in the world and that there is no art of reproduction. The introduction of “reappearance” into the field of literature and art has, from the very beginning, been a mistake. The article holds that the past to Kant’s “thing self”, to Schopenhauer’s “the world is my appearance” theory