论文部分内容阅读
前些时候,关于新歌剧的形式問題,爭論得很热烈,我想,在艺术創造上,有些問題还存在許多种不同的看法,参与这項事业的作家、演員們,还有各种各样不同的想法和願望。这是很自然的,也是正常的。这里,就我个人对这个問題的理解,提出一些不成熟的意見。把新歌剧的形式問题,和新歌剧的方向区别开来,才便于抓到問题的实质有些同志.在討論到新歌剧的形式問題时,往往把它和新歌剧艺术的方向混同起来。他們提出了什么“新歌剧的方向,从《白毛女》出現以后就确定了”。当他們看到有和这种歌剧的作法不大一样,或者听到有人提出
Some time ago, there was a lot of heated debate about the form of the new opera. I think there are many different opinions on some issues in artistic creation. The writers and performers who participated in this undertaking, as well as various ways Different ideas and wishes. This is very natural and normal. Here, I personally put forward some immature opinions on this issue. To distinguish the form of the new opera from the direction of the new opera, it is easy for the comrades to grasp the essence of the problem. When discussing the form of the new opera, it is often confused with the direction of the new opera art. What they proposed “the direction of the new opera, from the” White-Haired Girl “appeared after it was established.” When they see something different from this opera, or hear someone say it