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曹保平的电影《光荣的愤怒》是一部农村题材的现实主义电影,但呈现出鲜明的非现实的荒诞色彩。本文借用西方叙事学的话语和情节理论对该片的叙事特点和情节结构做出分析,认为该片采用“戏仿革命”的话语形式构成对现实故事的消解,情节结构的突转完成了由悲剧向喜剧的转化,呈现出意义消解和反讽的意味,实现了现实题材影片的非现实表达。
Cao Bao-ping’s movie “Glorious Fury” is a realist film about rural themes, but it shows a distinct and unrealistic absurdity. This article analyzes the narrative features and plot structure of the film by using the discourse and plot theory of western narratology. The article uses the discourse form of “imitating the revolution” to make up the digestion of the reality story and the completion of the sudden change of plot structure The transformation from tragedy to comedy shows the meanings of meaning digestion and irony, and realizes the non-realistic expression of the realistic film.