过士行在当代剧坛像一个特立独行的侠客,在他独特世界观的基础上创作出了一出出褒贬不一的戏。他的《鱼人》、《鸟人》、《棋人》、《坏话一条街》、《厕所》、《活着还是死去》,在一群小人物的嬉笑怒骂中体现了他对现实世界的观照,对人的困境的思考。过士行在一些剧作中选择了京味儿题材与语言作为的世界观的载体,本文将从人物和语言两个方面分析过士行文章中的京味儿。 His career in the contemporary theater like a maverick, on the basis of his unique world view created a mixed show. His “Fish Man”, “Bird Man”, “Chess Man”, “Bad Street”, “Toilet”, “Alive or Died” embody his contemplation of the real world in the ridicule of a group of small people, Reflections on people’s dilemma. In some dramas, he has chosen Beijing as the carrier of the world view of theme and language. This article will analyze the Beijing flavor from the perspective of characters and languages.