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当下影坛出现了一系列农民工题材的电影,这些电影直面农民工的生存悲剧,同时以光明的前景来冲淡苦难;表现人与社会疏离的生存体验,但又把这种紧张状态转变为人与社会的融合;反讽修辞的运用在沉重的内核外包裹着轻松的外衣;这些因素使得电影形成了在喜剧姿态下蕴含着悲剧精神的审美风格。电影既闪烁着批判现实主义的光芒,也昭示出探寻个体自我实现道路的努力。
There are a series of movie films about migrant workers in the film industry. These films face the tragedy of migrant workers in their survival while at the same time diluting misery with a bright future. They show the alienated experience of man and society but turn the tension into a Social integration; the use of irony rhetoric wraps a light coat on a heavy core; these factors make the film form an aesthetic style that implies a tragic spirit in comedy gestures. The film gleams not only the light of critical realism but also the effort to explore the path of individual self-realization.