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本文运用系统控制论与文本分析的方法,对19世纪新古典主义理性王国分野之后的现实主义绘画、印象主义(包括新印象主义)绘画和后印象主义(自塞尚的现代主义)绘画中,梳理与阐述艺术形象域中异同循环创作规律的历史秩序。把摄影术的介入作为影响艺术创作主体对艺术形象域的外围影响因素,论析性地探讨艺术创作形象域中异同循环创作规律的秩序重建。以此观念把握对中国当代艺术的干预反思的价值等方面,化约出艺术形象域中异同循环创作规律的价值体现在形象的“释放”为艺术形象域本体延异与拓展提供了无限发展可能的契机、对“形象”创作循环规律的不断探索和研究为艺术史的完善提供了支持性的事实和理论、艺术形象域中异同循环创作规律的秩序建构为整个人类艺术文化的发展提供了可能发展成为学科门类的依据三个方面。本文所探讨的“艺术形象域”特指本文探讨的19世纪新古典主义艺术分野后,各个风格流派所创作作品中支撑其创作观念的形象载体的总和。
In this thesis, we use the method of cybernetics and text analysis to analyze realism, impressionism (including neo-impressionism) and post-impressionism (from Cezanne’s modernism) paintings after the separation of neo-classical rational kingdoms in the 19th century. Sort out and elaborate the historical order of the law of the similarities and the differences in the artistic image field. Taking the intervention of photography as the peripheral influential factor that affects the subject of artistic creation on the field of artistic image, this paper probes into the orderly reconstruction of the law of the similarities and differences and circular circulation in the field of artistic creation. Taking this concept as an example, we can grasp the value of introspective reflection on Chinese contemporary art and so on. The value of turning around the law of similarities and differences in the field of artistic images is reflected in the fact that the The development of possible opportunities for the “image ” continuous development of the law of circulation and research for the improvement of the history of art provides a supportive fact and theory, the image of the similarities and differences within the circle of artistic creation of the order of law for the construction of the entire human culture and art Development provides three aspects that may develop into a disciplinary category. This article discusses the “artistic image domain ” specifically refers to the nineteenth Century Neolithic Art Discussed in this article, the genre of various genres in the creation of works to support its creative concept of the image carrier sum.