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吴昌硕为学者型艺术家,其诗书画印的相融,既是文人画对其他艺术形式横向的吸收综合,也是传统中国画纵向的历史发展的结果;既拓宽了文人画形式上的审美广度,又增加了文人画艺术意境的深度,可以说这种相融具有了双重的意义。当代书画家要继承和弘扬吴昌硕的相融思想和艺术创新精神,要了解自己文化的基因,保持中国文化特性,深入寻找诗书画印思想的根,才能适时地开拓当代诗书画印融合的新局面。
Wu Changshuo is a combination of scholarly artists and his poetry, calligraphy, painting and painting. It is not only the horizontal integration of literati painting on other art forms, but also the result of the historical development of the traditional Chinese painting. It not only widens the aesthetic breadth of literati painting but also adds The depth of literary artistic conception of literati painting can be said that this blending has a double meaning. To inherit and carry forward Wu Changshuo’s blending and creative arts spirit, it is necessary for contemporary calligraphists and painters to understand the gene of their own culture, maintain the Chinese cultural characteristics and find the root of the thoughts of painting, calligraphy and printing in order to open up a new phase of contemporary poetry, calligraphy, painting and printing in a timely manner .