论文部分内容阅读
中国的绘画艺术,在几千年的发展历程中逐渐形成了滋生于黄土地上的自我风貌,具有独特的艺术魅力。尤其是在长达两千余年的封建社会中,构成其社会意识形态顶层的皇室贵族的活动对这种艺术形式的形成更是起到了积极的推动作用。自西汉始,作为封建社会中统治阶级的最高官方艺术机构——宫廷画院已渐具雏形。据唐代张彦远《历代名画记——叙画之兴衰》中记载:“汉明雅好丹青,别开画室。”五代时期开始有翰林图画院的名称,到宋代则人文荟萃、制度完善,使宫廷绘画
China’s art of painting gradually formed a self-style that flourished in the yellow land during its thousands of years of development and has unique artistic charm. Especially in the more than two thousand years of feudal society, the activities of the royal aristocrats, which form the top level of their social ideology, played a positive role in promoting the formation of this art form. Since the beginning of the Western Han Dynasty, as the highest official art institution in the feudal society, the imperial court art academy has taken shape. According to the Tang Dynasty Zhang Yanyuan “famous paintings in history - the rise and fall of the painting,” recorded: “Han Ming Ya Dan, do not open the studio.” Five Dynasties began with the name of the Imperial Academy of Art to the Song Dynasty is a blend of humanities, the system is perfect, Court painting