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明言新著《20世纪中国音乐批评导论》是一部有较高创新价值的现代音乐思潮史书,作者在处理史实、史料、史学、史识、史胆、史观、史笔、史境之相互关系上均有建树,但也存在某些不足。对新音乐史家而言,在近现代、当代音乐史及思潮研究中确立的“史实第一性”原则,科学把握史料,在唯物史观统领下正确处理史学、史识、史胆与史境之双向互动,是影响乃至决定史家手中之笔在多大程度上忠实于历史、把握其规律并使之具有学术风骨的必要条件。
It is said that the new “Introduction to Chinese Music Criticism in the 20th Century” is a historical book of modern musical thought with high innovative value. The author, in handling the interrelationship between historical facts, historical materials, history, history, history, history, history and history All have their own achievements, but there are also some deficiencies. For the new historians of music, the principle of “the primacy of history” established in the research of modern and contemporary music history and thought, grasps the historical materials scientifically, correctly deals with the two-way of historiography, history, history and the environment under the command of historical materialism Interaction is the necessary condition for influencing or even deciding to what extent the pen of history of the historian is faithful to history, grasping its laws and making it an academic character.