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一件艺术作品意义实现的全过程,包括作品被作者创作和被观众接受两个步骤,二者缺一不可。作者对作品的创作是意义实现的起点和前提,没有创作的过程就不会有作品的诞生,但未被观众接受的作品只是存在的死物,无法实现艺术的意义。马塞尔·杜尚曾将他的作品《大玻璃》视为一种“生产意义的机器”[1]:作品在被不同的观众以各种方式解读的过程中产生各式各样的意义。实际上这个道理适用于一切艺术作品。对于已完成创作的艺术作品来说,接受是其意义实现的唯一方式。一个极端的
The whole process of realizing the meaning of a piece of art, including the creation of the work by the author and acceptance by the audience in two steps, is indispensable. The author’s creation of works is the starting point and premise of the realization of meaning. There is no creation of works without the process of creation. However, the works not accepted by the audience are only the dead bodies that exist and can not realize the meaning of art. Marcel Duchamp saw his work “The Big Glass” as a “machine of production significance.” [1] The work produces a wide range of meanings as interpreted by various audiences in a variety of ways . In fact, this truth applies to all works of art. For works of art that have been completed, acceptance is the only way to realize their meaning. One extreme