人们越来越意识到,多少年沿袭下来的貌似全面,实则隔靴搔痒式的批评模式除了显示自己的“公允”,根本对批评对象没有补益。正因为这样,我们与其承袭“中庸的辩证”方法,不如选择“深刻的片面”视角,本文主要分析,“上影”创作现状的负面(应该指出的是,这并不是说“上影”创作现状没有值得肯定的东西,但那不是本文的题旨)。要对“上影”一百多部影版作面面观,既不可能,也没有必要,大量平庸、低劣影片的存在,不只是“上影”一家的弊端,本文主要分析其得奖的影片,从而揭示出“上影”创作现状的负面所在。 People are more and more aware of the seemingly comprehensive concept that has followed many years. In fact, in spite of showing their own “fairness”, the criticism pattern of criticism does not help the target of criticism at all. It is for this reason that we should adopt a “profound one-sided” perspective instead of following the “dialectic of the mean” approach. This article mainly analyzes the negative aspects of the status quo of “Shang Ying” (it should be pointed out that this does not mean that “Shang Ying” The status quo is not something to be sure, but that is not the subject of this article). It is neither possible nor necessary for us to make a comprehensive view on more than one hundred films of Shang Ying. The existence of a large number of mediocre and inferior films is not only the drawback of the Shang Ying one, Thus revealing the “shadow” the negative status of the creation of the present.