《石门颂》是东汉时期的一件摩崖石刻,其书写镌刻的时候,是指向实用的;但是,到清代以后,它的身价陡增,成了书法艺术珍品。这种现象,便是上一节中谈到的实用书写文字与书法的艺术联系。类似的实例举不胜举。在现有的一些书法史著述中,《石门颂》自然而然地被安置在汉代书法中;当你问《石门颂》是什么时期的书法作品时,人们会不假思索地回答说:“它是东汉时期的书法作品。”仔 “Shihmen Song” is a cliff stone carving in the Eastern Han Dynasty. When its writing was engraved, it was pointed to practicality. However, after the Qing Dynasty, its worth rose sharply and became a treasures of calligraphy art. This phenomenon is the artistic link between the practical writing and the calligraphy mentioned in the previous section. A list of similar examples is endless. In some existing calligraphy history writings, “Shihmen Song” is naturally placed in calligraphy of the Han Dynasty; when you asked “Shimenzong” what period of calligraphy, people would answer without hesitation: “It is the Eastern Han Dynasty Period of calligraphy. ”Aberdeen