《咱们死人醒来的时候》是易卜生的戏剧收场白,描写了艺术与人生的基本关系。在这部戏剧中,透过爱情的故事,婚姻的抉择,逐渐显现出来的是人的主题。艺术固然是重要的,个人事业也是必须的,但绝不能凌驾于个人的生命价值和情感、灵魂之上。本文拟从文学伦理学的角度,结合戏剧中的三重伦理关系,探析“易卜生式的人道主义”以及伦理视阈下作家对理想两性关系的思考。 “When the Dead Wakes up” is Ibsen’s dramatic closing, describing the basic relationship between art and life. In this drama, through the story of love, the choice of marriage, and gradually emerged out of the human subject. Art is certainly important, personal business is also necessary, but must not be above the personal life value and emotion, the soul above. This article intends to explore the writer’s thinking on the relationship between the two sexes by means of “ethics of literature ethics” and the triple ethical relations in the drama, and on “Ibsen’s humanitarianism” and ethics.