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苏轼的书法理论强调理、气、心为主体的理学思想,他崇尚理性与感性、自由与率真的艺术气质。在儒家伦理思想的影响下,当时的人们认为:“人生中有比生命、生存更为宝贵的价值,这就是道德理想。人不应为生存而牺牲道德理想与道德原则,在生命与理想原则冲突时应勇于为理想原则献身。”~([1])在这样的文化背景下,苏轼把社会伦理和艺术生命结合起来,建立人文主义的艺道观。下面试析苏轼从书法理论的创作论、技法论和品
Su Shi’s calligraphy theory emphasizes reasoning, feeling and mind as the main body of the Neo-Confucianism. He advocates the artistic qualities of rationality and sensibility, freedom and truth. Under the influence of Confucian ethics, people at that time thought: “There is more precious value in life than life and survival, which is moral ideal.People should not sacrifice moral ideal and moral principle for survival, In the conflict of principles, we should dare to devote ourselves to the ideal principle. ”Under such a cultural background, Su Shi combines social ethics with artistic life to establish a humanistic ethos view. The following analysis of Su Shi from the calligraphy theory of creation theory, techniques and products