电影是抽象情感之于图形的具象呈现,电影从最初的记录性手段,逐步衍生出戏剧切幕、停机再拍、蒙太奇、杂耍蒙太奇等技术,发展至今,CG技术,动作捕捉、合成技术、虚拟摄像机、抠像技术等建立在科技之上的电影效果,让电影成为完整的科学与技术、思维与生活的承载平台。中国电影特效技术水平较之好莱坞还有很大距离,但作为第二大电影经济体,中国电影如何在高成本、高风险的探索中,找到一个合乎经济情理并全面利用当前已掌握技术手段去展现电影之美,成为中国电影人要思考的最关键的问题,中国电影人还要高度关注东西方文化间存在的技术与形式的沟壑并思考如何在电影创作中避开某些难以逾越的障碍从而达到扬长避短的效果。 Cinema is the abstract emotion of the graphic presentation, the film from the initial means of recording gradually derived drama, cut off and then shot, montage, juggling montage and other technologies, the development so far, CG technology, motion capture, synthesis technology, virtual Camera, keying technology based on science and technology on the film, so that the film becomes a complete science and technology, thinking and life bearing platform. However, as the second largest movie economy in China, how to find a film that meets the economic rationale and makes full use of the current technical means to explore the high-cost and high-risk exploration of Chinese movie special effects? To show the beauty of the movie has become the most crucial issue to be considered by Chinese filmmakers. Chinese filmmakers also need to pay close attention to the gully of technologies and forms that exist between East and West cultures and to consider how to avoid certain insurmountable obstacles in filmmaking To avoid weaknesses effect.