作为从乡村来到大城市的艺术家,胡宗祥有着强烈的自然情结。这既是他自身血液里的东西,也是人面临城市化的一种渴望。因此,他对城市里出现的各种景观有着敏锐而无奈的观望,有时也是发之切肤之痛的体验。所有这些都被他用油画图像的方式付诸视觉表现。其所呈现的城市经验既有物理性迷失的“方向”问题,也有精神性迷失的颓废堕落或放纵问题;既有作为“被吃”的受害者形象,也有作为饕餮“吃者”的伤害者形象;既有对城市生活的向往,也有对源 As an artist who came to the big cities from the countryside, Hu Zongxiang has a strong natural complex. This is both something in his own blood, and also a desire for urbanization. As a result, he has a keen and helpless wait-and-see attitude on the various landscapes that appear in the city, sometimes giving him an exhilarating experience. All of these are visualized by him in the form of oil painting images. The urban experience presented by him not only has the problem of “direction” of physical loss, but also the decadent decadent or indulgent problem of spiritual loss; the image of the victim as “being eaten” and also as gluttonous Who "image of the victim; both the longing for urban life, but also on the source