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黄宾虹作为近代山水画家,是中国绘画史上又一新的里程碑。黄宾虹的绘画风格总体上可以分为“白宾虹”和“黑宾虹”。早年受“新安画派”影响,以干笔淡墨、疏淡清逸为特色,六十岁以前是典型的“白宾虹”;八十岁后以黑密厚重、黑里透亮为特色,为“黑宾虹”。在他的绘画作品中重视章法上的虚实、繁简、疏密、浓淡干湿的统一。所谓“黑、密、厚、重”的画风,正是他独特的艺术风格。本文主要从黄宾虹的艺术经历、笔墨特点、绘画观念等方面研究黄宾虹在绘画艺术中的“黑”与“白”背后所蕴含的文化内涵,并且分析黄宾虹“黑白”两个时期绘画艺术特点,然后从黑白的形式、笔墨等方面论述了黄宾虹画面中的黑白美。最后介绍了黄宾虹的艺术贡献与影响,希望对今后学者研究中国现代的山水画和创作有所帮助。
As a modern landscape painter, Huang Binhong is another new milestone in the history of Chinese painting. Huang Binhong’s painting style can be divided into “White Binhong” and “Black Binhong” as a whole. In his early years, he was influenced by the “Xin’an School of Painting”, featuring dry ink and light clear Qing dynasty, typical of “Bai Binhong” before the age of 60, and featured black and dense black and translucent after 80 years of age. , As “black guest rainbow”. In his paintings, he pays attention to the actual situation in the law of the chapter, simplification, density, the unity of shades of wet and dry. The so-called “black, dense, thick, heavy ” style of painting, it is his unique artistic style. This paper mainly studies the cultural connotations of Huang Binhong’s “Black ” and “White ” in the art of painting from Huang Binhong ’s artistic experience, pen and ink features and painting concept, Period of painting art characteristics, and then from the black and white form, ink and other aspects of Huang Binhong screen black and white beauty. At last, it introduces the contribution and influence of Huang Binhong’s art, hoping to help future scholars to study Chinese modern landscape painting and creation.