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辽宁省代表团演出的满族舞蹈《莽式空齐》和《伊姆钦玛克沁》,第一次把满族舞蹈搬上我国的文艺舞台。满族民间舞蹈,已从我国文艺园地上消失多年。为了恢复和搞好这个艺术品种,丹东、抚顺等地创作人员,跑了许多地方,查阅了大量史料,走访了不少的民间老艺人。《莽》和《伊》的舞蹈基本语汇是从《柳边纪略》、《宁古塔纪略》、《啸亭杂录》、清史稿等有关资料中整理出来的。音乐,运用了满族《八角鼓曲牌》的“弦腔”、“推船”、“娃娃腔”等曲调和满族祭祀音乐。《莽式空齐》也叫《喜起舞》。这种舞蹈多是在部落猎获集会、
The Manchu dance performed by the delegation of Liaoning Province, “Mang-style empty Qi” and “Imkminqinqin”, put Manchu dance on the stage for the first time in our country. Manchu folk dances have disappeared from the arts and cultural fields in our country for many years. In order to restore and improve this art species, Dandong, Fushun and other creative staff, ran many places, access to a large number of historical data, visited a lot of folk artists. The basic vocabulary of dance of “Mang” and “Yi” is compiled from the related materials such as “YAGA JIULU”, “Ningguta Jiru”, “Xiaoting Zaju” and Qing Dynasty Draft. Music, the use of the Manchu “octagonal drum tune card” “chord”, “push boat”, “doll cavity” and other melody and Manchu sacrificial music. “Mang-style empty” is also called “happy dance.” This dance is mostly in tribal hunt rally,