凤凰衔书伎盛于南北朝时期,梁天监四年罢后并未废迹。其表演活动唐宋以后还不断丰富发展,从图腾的虚拟、仪礼的装点、伎乐的歌舞发展为百戏的表演,考察其由谶言瑞应缔结为太乐雅音,并逐步将歌舞装扮、杂技百戏、优伶谐谑融合起来,演为俗乐杂爨、优戏院本的过程,有助于我们了解百戏伎乐在早期戏剧生成史上的意义,以及戏剧扮演活动与仪礼制度相依存的关系。 Phoenix title book trick Sheng during the Northern and Southern Dynasties, Liang Tianjian four years after the strike was not ruined. After its performance, Tang and Song Dynasties continued to enrich its development. From the totem’s virtual, ceremonial decoration and singing and dancing to the performance of 100 plays, Dress, acrobatics, opera, merry banquet together into a secular music, excellent theater of the process, helps us to understand the role of hundred plays in the history of the early theater production significance, as well as play the role of theater and ritual system Dependencies.