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在众多的文艺形式中，电视剧几乎成为当今国民的文化正餐，有亿万观众每天都在定时收看。可以说，电视剧的文化品位和艺术格调对当今人们的审美趣味会有很大影响，甚至对整个民族的审美心理都有潜移默化的塑造功能。那么，我们的电视剧状况如何呢 ?电视剧在艺术形式上还有探索的空间吗 ?《大明宫词》的别调异声引起了很大议论，它的成败得失恐怕一时还难以尘埃落定，但至少引发了人们的相关思考。本栏目发表的三篇文章，均系高等院校学人所撰，他们从《大明宫词》的不同侧面探讨电视剧在艺术风格上的可能性，言之有据，启人深思，相信能引起人们对电视剧艺术的再思考。同时，我们欢迎就电视剧“诗化”问题展开深入的美学讨论。
Among the numerous literary and art forms, the drama has become almost a cultural dinner for today’s nationals. There are billions of viewers watching it regularly every day. It can be said that the cultural taste of the TV series and the artistic style of today’s people’s aesthetic taste will have a significant impact, and even the entire nation’s aesthetic psychology has a subtle shaping function. So what is the status of our TV series? There is still room for exploration of the art form of TV series? The tone of “Daming Palace Ci” has caused great controversy, and its success or failure may be hard to come by. At least sparked the relevant thinking of people. The three articles published in this section are written by scholars at institutions of higher learning. They discuss the possibility of dramas in the artistic style from different aspects of “Daming Gong Ci”. They are well documented and thought-provoking. They are believed to cause Rethinking the Drama Art. In the meantime, we welcome in-depth aesthetical discussions on the issue of “poeticization” of television dramas.