每个人都会经历人生中的纯真梦想与残酷世界交锋的某个时期:生命中的坚硬棱角还未被现实磨平,凸起的美梦和凹陷的理想重复交替着;光芒万丈的青春渐渐变成一道模糊的影子,不想撒手让它离去,却终究什么也抓不住。当年过四十的导演Noah Baumbach将镜头对准人生中那段年华未老却青春已去的时光,清冷的黑白镜头在喧嚣的繁华都市中游荡,拾捡着城市上空的美梦幻影和冰冷街头的梦想残骸——影片《弗兰西丝·哈》(Frances Ha)就呈现在了我们面前。影片细碎的故事情节中流淌着对青春流逝和理想幻灭的某种伤怀,充满了凭吊的意味。故事的女主人公Frances Ha由美 Everyone experiences a period of confrontation between innocent dreams in the life and the brutal world: the hard edges and corners in life have not yet been polished by reality; the raised dreams and the sunken depressions are alternately repeated; the radiant youth gradually becomes a Fuzzy shadow, do not want to let go let it go, but in the end what can not catch. Noah Baumbach, director of the Forties, aimed his life at a time when he was young and youthful. Cool black and white shots wandered through the noisy and bustling city, picking up dreams and cold streets over the city The wreckage of the dream - the film “Frances Ha” is presented to us. In the story of a finely divided movie, there is a kind of sadness that goes against the passing of the youth and the disillusionment of the ideal. It is full of the virtue of virtue. The story of the heroine Frances Ha by the United States