从康德开始,通过游戏来阐释艺术,无疑已经成为西方文艺理论的重要视角。其中成就最大的当属伽达默尔关于游戏与艺术的观点,这在西方文论史上具有转折性的意义。本文以伽达默尔的游戏理论为切入点,围绕“游戏是艺术作品的存在方式”这一中心论点,努力把握作者对游戏与艺术的看法,以期能够对伽达默尔的艺术观做出梳理与探析。 Starting from Kant, the interpretation of art through games has undoubtedly become an important perspective of Western literary theory. Among them, Gadamer’s view on games and art, which has the greatest achievement, has a turning point in the history of western literary theory. This article takes Gadamer’s game theory as the starting point and tries his best to grasp the author’s views on games and art around the central argument that “game is the way of existence of works of art”, with a view to analyzing Gadamer’s view of art Make comb and analysis.