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鼓在地戏中占有极高地位,地戏中的鼓乐在广泛的地域和时间里,被当地人们统称为“跳神鼓”。安顺地戏中的鼓和锣作为专门的节奏乐器,在安顺地戏音乐的存在中必然占据着重要的地位,理应获得更多的关注和探讨。对安顺地戏器乐音乐的美学诠释过程,实际上是参与欣赏者从自己的历史性去解读其内涵,并在与音乐的思维性沟通中产生视界融合而形成的审美意义的过程。
Drum plays a very high role in the play, drum play in play in a wide range of geographical and time, by the local people collectively referred to as “dancing drum”. Anshun opera drums and gongs as a special rhythm instrument, Anshun in the presence of music is bound to occupy an important position, should deserve more attention and discussion. The process of aesthetic interpretation of Anshun’s operatic music is actually the process of participating in appreciators’ appreciation of their connotation from their own historicity and creating the aesthetic meaning formed by the fusion of horizons in their thought communication with music.