自从新世纪以来,中国电影中的都市影像不仅数量增多,而且开始呈现出不同的精神气质,这一转变的根本原因在于中国已经逐步进入城市文化为主导的时代。都市文化消费性和多元化的特点,在新的都市电影中得到了表现。这种物质性和多元化的特点给了女性更多的自由和自主,因此新都市影像是由女性观众主导消费的,也是由女性主导其创作的。由此可见,电影见证、迎合也主导了文化的转型,以不断变化的形态,成为大众白日梦的外化。 Since the beginning of the new century, the number of urban images in Chinese films has not only increased, but also begun to show different mental qualities. The fundamental reason for this shift is that China has gradually entered an era dominated by urban culture. The characteristics of urban culture, consumer and diversified, in the new urban movie has been the performance. This materiality and diversity gives women more freedom and autonomy. Therefore, the image of the new city is dominated by female audiences, and is also dominated by women. This shows that the movie witness and cater to also dominate the transformation of culture and become a day-dream externalization in a constantly changing form.