中国戏曲是一种高度综合的民族艺术。这种综合性不仅表现在它融汇各个艺术门类(诸如舞蹈、杂技等),而出以新意方面,而且还体现它精湛涵厚的表演艺术上。各种不同的艺术因素与表演艺术紧密结合,通过演员的表演实现戏曲的全部功能。其中,“唱、念、做、打”在演员身上的有机构成,唱,指唱腔技法,讲求“字正腔圆”;念,即念白,是朗诵技法,要求严格,所谓“千金语白四两唱”;做,指做功,是身段和表情技法; Chinese opera is a highly integrated national art. This comprehensiveness is manifested not only in its integration of artistic categories (such as dance, acrobatics, etc.), but also in new ways of performing arts, but also in its superb performing arts. A variety of artistic factors and performing arts closely integrated, through the performer’s performance to achieve the full opera. Among them, “sing, read, do, fight,” the actors in the organic composition, singing, fingering techniques, stress “character is round”; read, that read the white, is reading techniques, demanding, the so-called “Qian Jin language white four two sing”; do, refers to the power, is the figure and expression techniques;