卓文君私奔司马相如是千古韵事,历代文人多所吟咏。在戏剧方面,以此为题材的亦不少。封建时代的剧作家在处理这个反封建的史实时,总还要在卓文君身上抹上一笔封建色彩。明人朱权写卓文君与司马相如一起出奔时,卓文君主动要求为相如赶车,她说:“男尊女卑,理之常也。夫唱妇随,今之道也。今先生乘车,妾为之御,斯乃妇道之宜。虽于仓皇之际,焉敢失其义乎!”革命浪漫诗人郭沫若将卓文君写成 Zhuo Wenjun echoes Sima Xiangru is the eternal charm, more than the ancient literati chant. In terms of drama, there are also many such topics. Feudists of the feudal era dealt with this anti-feudal history and always wore a feudal color on Zhuo Wenjun. Zhuo Wenjun write Zhuo Wenjun out with Ben Simaxiangru out, Zhuo Wenjun took the initiative to ask for the phase as a car, she said: “The male supremacy, management is often also. Royal, Si Nuisance is appropriate .Although in a hurry, Yan Gan lost its meaning! ”Revolutionary romantic poet Guo Moruo wrote Zhuo Wenjun