自二十世纪以来,中国戏剧研究受到西方话语体系的巨大冲击与影响。而戏曲界领军人物张庚的戏曲美学思想,正是我们反思该问题时所无法避绕的研究对象。张庚早期研究话剧和歌剧,后来致力于戏曲美学的摸索,由此话剧民族化和戏曲现代化成为其毕生奋斗的两大课题。而他这种起步于话剧,而后又悟入戏曲的艺术思维的转变,留给我们反思戏曲理论“西化”现象以很大空间。 Since the twentieth century, the study of Chinese drama has been greatly influenced and influenced by the Western discourse system. The operatic aesthetic thought of Zhang Geng, the leader of the drama industry, is the unavoidable research object when we reflect on this issue. Zhang Geng studied drama and opera early, and later devoted himself to the exploration of drama aesthetics. Therefore, the nationalization of drama and the modernization of traditional operas became two major topics in his life-long struggle. And his transformation from the artistic thinking that began with the drama and then into the drama leaves us a great deal of space to reflect on the theory of opera and Westernization.