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“博学入精妙,哲理化诗情”.这是北京大学教授、著名美学家杨辛先生为缅怀宗白华先生而写的一副对联,也是杨辛先生自己一生追求美学精神的写照.杨辛先生是从绘画领域跨入美学领域的.1946年,他曾就读于北平艺术专科学校西画系,是当时北平艺专学生运动的领袖人物之一,1947年中断学业转赴冀察热辽解放区,1956年调入北京大学任教.他在美学教学和研究过程中,又潜心于书法的创作和研究,将美学理论与艺术实践有机地结合在一起,使他的美学研究别具一格.他认为,美学基本理论的研究,一般有两种方法,一是自上而下,从哲学的体系研究美学,这主要是理论方面的研究,但这种方法容易使美学显得神
“Intuition into the exquisite, philosophical poetic.” This is a professor at Peking University, a famous esthetician Mr. Yang Xin for the memory of Mr. Zong Baihua wrote a pair of couplets, but also his life’s pursuit of aesthetics Yang Xin’s portrayal of the spirit of aesthetics. Mr. Shi entered the field of aesthetics from the field of painting.In 1946, he studied at the Western Painting Department of Peking Art College and was one of the leaders of Peking’s art movement at that time. In 1947, he discontinued his studies and went to Jiefa, He was transferred to Peking University for teaching in 1956. During his teaching and research in aesthetics, he devoted himself to the creation and research of calligraphy, combining aesthetics theory with artistic practice organically, aiming to make his aesthetics unique.He thought that the basic aesthetics There are generally two methods for the study of the theory. One is to study the aesthetics from the philosophical system from top to bottom. This is mainly a theoretical study, but this method tends to make the aesthetics seem deity