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吉祥文化在我们现实生活中无所不在、无处不有,作用广泛,影响深远。伴随历史的发展,其吉祥符号、吉祥物、吉祥图案的象征寓意从直观美好愿望的简单诉求延伸并升华为预示着好运、幸福、长寿、发财、加官晋爵、子孙满堂等等的理想寄托。如今,这种传统的祥瑞思想已转变为吉祥如意、福寿富贵等世俗化的吉祥观念。这种追求吉祥文化的观念一直以来被丰富地体现在陶瓷的雕饰中,即体现其设计的装饰形态美和寓意象征性,即“图必有意,意必吉祥”。
Auspicious culture is ubiquitous in our real life, ubiquitous, broad-based and far-reaching. With the development of history, the auspicious symbol, mascot and symbol of auspicious motif extend and ascend from the simple pleas of intuition and good wishes to the ideal of good fortune, happiness, longevity, fortune, promotion of government officials, children and grandchildren, etc. Sustenance. Nowadays, this traditional auspicious thought has been transformed into the auspicious concept of secularization, such as good fortune and good fortune. This concept of the pursuit of auspicious culture has always been richly embodied in the carving of ceramics, which embodies the design of its decorative shape and symbolic meaning, that is, “the map will be intended, meaning auspicious”.