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2003年底,为了更好地用绘画语言来表达对生存空间的不信任感,我创作了《印象系列·空间》、《印象系列·女人体》一系列的作品。这批绘画作品放弃了外形的消极摹写,更注重内心情绪的表达,色调也更为单纯。我把充满欲望的人在环境中消解,去掉了男女的面部特征,暗示着欲望的社会性、空间性对人的影响,他们出现在观众面前只是一个欲望的体现者,加强观众对画面的直觉感受。在这一系列的作品中,采用了大量的报纸、字母等公众熟悉的东西,来表示人与社会的紧密性。还引入了布、石膏等硬质材料增加了
At the end of 2003, in order to better express my mistrust of living space in painting language, I created a series of works of “Impression Series · Space” and “Impression Series · Woman Body”. These paintings have given up the passive copying of appearances, paid more attention to the expression of inner emotions, and their tone of color is more simple. I put the desires of people in the environment digestion, remove the facial features of men and women, suggesting the desire of the social, spatial impact on people, they appeared in front of the audience is just a desire to reflect, to enhance the audience’s intuition on the screen Feel In this series of works, a large number of newspapers, letters and other public familiar things, to express the closeness of man and society. Also introduced cloth, plaster and other hard materials increased