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陀思妥耶夫斯基小说反映的内容是奇特的。陀氏总是热衷于揭开“小人物”的心灵隐秘;将表现人的分裂意识当作贯穿终生的创作题材;在他的小说中隐藏着一条作家寻求自我的心的轨迹。随着对心理领域的不断开拓,陀氏在表现手法方面也大胆创新。在他常用的几种表现手法中,有的将传统艺术手法直接用来表现人物心理;有的对传统艺术手法既有所继承,又有所突破;有的则纯属陀氏独创。陀氏洞悉内容与形式间的辩证关系,顺应了其作品的内容
The content reflected in Dostoyevski’s novels is peculiar. Dostoela is always keen to reveal the hidden soul of “the little creature”; to take the performance of human’s split consciousness as the creative subject throughout his life; in his novels a track of the author’s self-seeking heart is hidden. With the continuous development of the psychological field, the performance of tactics in the bold innovation. Among the several expressions he often uses, some directly express traditional psychic techniques through traditional art techniques; others inherit and make breakthroughs in traditional art techniques; others are purely original. To understand the dialectical relationship between content and form, Tuo conforms to the content of his work