文学作品中的风景描写方式多样,作用各异。专写风景的作品里,文章题材,全由景物构成。如梁朝吴均《与朱元思书》;茅盾《雾》;峻青《海滨仲夏夜》等。有的景物描写掺杂在人物行动里,这类景物描写在文章中并不构成一种独立题材,如“暮从碧山下,山月随人归。”“卖瓜人过竹边村。”但更多的景物描写在文章中是以相对独立的题材形式出现的。从全文看,它是刻画人物表达主题的一种辅助手段,从局部看他又是独立的整体,这类景物描写,作品中用得最多,也最难写好。笔者平日批改作 The scenery in the literary works is described in various ways and with different functions. Written landscape works, the article theme, all composed of scenery. Such as the Liang Dynasty Wu Jun “and Zhu Yuansi book”; Mao Dun “fog”; Junqing “beach midsummer night” and so on. Some Scenery Description Doping In the action of characters, the description of such scenery in the article does not constitute a separate theme, such as “Twilight from Bishan, the mountains go with the moon.” However, more scene description in the article appears as a relatively independent theme. From the point of view of the whole text, it is an auxiliary means of depicting the theme of the expression of a person. From a local perspective, he is an independent whole. Such scenery description, the most used works, and the most difficult to write well. Author weekdays for change