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过去我曾在现代戏中扮演过各种不同性格的农村妇女,这次要在《倒霉大叔的婚事》中扮演四十多岁的寡妇魏淑兰,却还是头一次。从魏淑兰无论如何也不愿改嫁,发展到不顾一切地要改嫁给常有福,人物思想感情的变化十分悬殊,演起来难度较大,重要的是刻画人物的性格特征,揭示人物的内心世界。剧本对魏淑兰的塑造是有血有肉的,这给演员创造角色提供了良好的基础。而演员的责任是通过自己的二度创造,把人物真实地再现于舞台上,让观众能够和她同喜同乐。
In the past, I used to play rural women of various trades in modern drama. For the first time, Wei Shulan, a widow in her forties, was involved in this unlucky marriage. From Wei Shulan in any case do not want to remarry, developed to desperate to remarry to Chang Bafu, changes in people’s thinking and feelings is very wide, more difficult to play, it is important to characterize the characterization of the characters to reveal the inner world. Wei Shulan plays the script is flesh-and-blood, which creates a role for the actor to provide a good foundation. The responsibility of the actor is through his own second creation, the characters truly reproduce the stage, so that the audience can enjoy the same with her.