刘礼红:媒体作为一种传递信息的手段,一方面以不同的方式使艺术品的符号形象得以广泛传播,另一方面以不同形态使艺术本身的意义维度得到敞开。当代艺术,比如装置艺术、行为艺术、影像艺术本身就是按照传媒的运作机制来进行策划的。媒体在这些艺术生成过程中是一个强大的建构机体。这里的媒体已超出了它作为大众传播和商业运作的功能范围,而直接成为艺术创作的动机,并确立它自身的地位与意义。这好比是西方音乐中为乐器而写的交响曲,乐器的表现力成为动机,追求音响本身的效果,调性被声音的自律所消解。媒体的不甘寂寞还在于它不甘心只作“媒婆”,要作“待嫁的新娘”,升堂入室,正正经经的自己也作为一种艺术样式,不单是为人作嫁衣。数码艺术、新兴的三维动画模式就是大胆的尝试。甚至有 Liu Lihong: As a means of transmitting information, media, on the one hand, can make the symbolic images of works of art spread widely in different ways and on the other hand, the dimensions of meaning of art itself are opened with different forms. Contemporary art, such as installation art, performance art and video art, are themselves planned according to the operating mechanism of the media. The media is a powerful construct in these art-making processes. The media here has gone beyond the scope of its function as a center for mass communication and commercial operations, and has directly become the motive of artistic creation and established its own status and significance. This is like a symphony written for a musical instrument in Western music, the expressiveness of a musical instrument becomes the motivation to pursue the effect of sound itself, tonality is resolved by the self-discipline of sound. The media’s unwilling loneliness lies in its unwillingness to serve only as a “matchmaker”, as a “bride to be married,” ascended the throne into the room, as it has been and as an art style, it is not just a wedding dress for people. Digital art, the emerging 3D animation model is a bold attempt. Even there