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文革十年,受极左政治思潮的影响,文化艺术领域遭受重创。这一时期,音乐的政治性、服务性、工具性等特征增强,很多器乐作品明显带上了时代印记。本文以1966-1976年的特殊时期为独特视野,将中国手风琴音乐创作作为考察本体,对该时期手风琴音乐的中国化编创特征作较为细致的描述,以期对今后中国风格手风琴音乐的创作提供一定的经验基础。
During the ten years of the Cultural Revolution, under the influence of the ultra-left political thought, the field of culture and the arts suffered heavy losses. During this period, the political, service and instrumental features of music were enhanced. Many instrumental works obviously took on the mark of the times. Taking the special period of 1966-1976 as a unique field of vision, this paper takes the Chinese accordion music creation as the ontology, and gives a more detailed description of the characteristics of Chinese-style creation of accordion music during this period. With a view to providing a certain amount of Chinese accordion music creation in the future, The basis of experience.