雎安奇2016年的两个作品《钻的人》、《R级:观癖》很好的描画出一个网络社会和真实社会的关系,众多转发的人对社会的看法,既是钻的人也是窥视者,而社会就像那辆行进中的公共汽车,或被演员钻孔的树木、长城,屹然不动。反之,这个社会更像一个复杂的布景,任何人也无法掀起波澜。窥视者也是观看者,并给出这一姿态应有的现实,从恶趣味到施暴,一切都没有发生改变,只是这些姿态映照着每个人。 雎 Antoine’s two works in 2016, “Drilled Man,” “R-Class: Viewpoint,” is a good illustration of the relationship between online society and real society. Many of the forwarded people’s perceptions of society are both drilled and Peeps, and society is like the moving bus, or the trees bored by performers, the Great Wall, stand still. On the contrary, this society is more like a complicated setting, and no one can make waves. The peephole is also a viewer, and given the realities of this gesture, from bad taste to violence, everything has not changed, but these gestures reflect everyone.