“特写”在电影艺术中,是塑造人物的重要手段。特写时演员与观众近在咫尺,观众可以细察到人物的情感,窥见到角色的心灵。因此,电影演员必须经得起特写的考验,要在特写镜头中真实、准确地表现出角色的内在感情来. 我是舞台演员,原来又是搞京剧的。在舞台上的表演和形体动作,比生活中的要夸张得多,因此刚开始拍电影是经不起镜头前的“特写”考验的。回想我拍摄第一部影片《金光大道》时,由于不熟悉镜头,在摄影机前感情很拘谨,形体也很僵硬。林农导演总是在正式开拍前,提醒我要松弛。当时我刚接触电影工作,顾虑很多,总怕表情和动作夸张了会流露出舞台表演的痕迹,因此只强调收敛。尤其在特写镜头 “Close-up” is an important means of shaping people in the art of cinema. Close-ups of actors and spectators in close proximity, the audience can fine seized the character’s emotions, glimpse of the character’s soul. Therefore, the film actress must stand up to the test of close-up, in the close-up to truly and accurately show the inner feelings of the character come .I am a stage actor, turned out to be Peking Opera. Performing on the stage and physical movements, much more exaggerated than life, so the beginning of the film is unable to withstand the camera before the “close-up” test. Recall that when I shot the first movie “Cotai Road,” I was very cautious and rigid in front of the camera because I was not familiar with the camera. Linnong director always before the filming, remind me to relax. At that time I was in contact with the movie work. I was worried about the expression and the movement exaggerated to reveal the traces of the stage performances. Therefore, I only emphasized convergence. Especially in close-up