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当代艺术史家对艺术作品的解读日益深入.他们的研究早已超越了对视觉艺术品主题内容的确认,以及其形、色、风格等等方面的形式分析,巨细深入到所有与艺术品复杂涵义的释读相关的历史和文化细节,从而给观众呈现出一个以往我们未曾意识到的艺术品在生成过程中所面临的立体多维的复杂文化情境。本期青年学者胡泊的文章,对人们早已熟知的文艺复兴时期意大利画家提香的组画《诗》,用较新的“图像学”研究方法进行了案例分析。借助此文,观者可以从提香的作品中读出更多的内容,并顺带深入对西方文化的理解。
Contemporary art historians interpret works of art more and more in depth, and their research has long been beyond the confirmation of the subject matter of visual works, as well as the formal analysis of its form, color, style and so on, Interpretation of the relevant historical and cultural details, so as to present to the audience a stereoscopic and multi-dimensional complex cultural situation faced by artists in the past that we did not realize in the past. The current scholar Hu Bo’s essay analyzes the group poetry of the Renaissance Italian artist Renaissance Titian with a relatively new “imaging” methodology. With this passage, viewers can read more from Titian’s work and bring deeper understanding of Western culture.