论文部分内容阅读
在汉末三国时代,石刻是一种重要的文献形式,而刻石则是一种蕴涵丰富的文化活动。有关石刻的种种神异现象的载录及其阐释,凝聚成视石刻为“神物”这样一种思想观念。这一观念固然可以远溯其历史文化之渊源,然其在汉末三国表现得尤其突出,则主要是彼时政治与文化环境使然。正史、杂史、地理书以及志怪小说等诸种历史文献对石刻志异现象的关注,以前所未有的广度,反映了石刻文献独特而丰厚的文化意义。
Stone carving is an important form of literature in the late Han and the Three Kingdoms period, while stone carving is a kind of rich cultural activities. The records and explanations of the various gods and phenomena of the stone carving are condensed into a kind of ideology that the stone is the “god”. Although this concept can be traced back to the origin of its history and culture, its performance was particularly prominent in the late Han and the Three Kingdoms, mainly due to the political and cultural environment at that time. The unprecedented attention of various historical documents such as history, miscellaneous history, geography books and mysterious novels reflects the unique and rich cultural significance of stone inscriptions.