“金石永寿—中国第一届寿山石篆刻艺术展览”相继在北京中华世纪坛、国家大剧院展出后降下帷幕。邀笔者参与并见证了这次规模宏大、别出新意的展览,感受良多,略记一二。作为“雕虫小技”的篆刻单项展,主办方历来为展出模式的单调乏味而困惑。近年来虽时有放大展出、实物展出等试图变革的例子,但均属小打小闹而 “Jinshi Yongshou - China’s first Shoushan stone carving art exhibition ” one after another in Beijing China Millennium Monument, the National Grand Theater came to an end after the curtain. Invite the author to participate in and witness the large-scale exhibition of new ideas, feel a lot, a little remember one or two. As the “carving skills” carving solo exhibition, the organizers have always been to display the mode of tedium and confused. In recent years, there have been examples of enlarged exhibitions and physical exhibitions that attempt to change.