论文部分内容阅读
伏羲、女蜗形象是汉画中保留最多的形象之一,他们是中国古代民俗中祖先崇拜观念的物证。作为中国文化塑造的人文初祖和保护神,伏羲、女娲神话至今仍活在黄河流域人民的生活中。如,天水的“人祖祭祀”节日;河南淮阳太昊陵庙的朝香祭祖礼仪,典雅庄重的祭祖颂赞文告,求子祈福的摸子孙窑、拴娃娃仪式,身着一玄衣,忘情风魔的“担经挑”宗教舞蹈,使人在浓郁的宗教氛围中自然联想到伏羲、女娲神话当年怎样在民间发挥着“神圣的叙述”的精神文化作用。
Fu Xi, female snail image is one of the most preserved images in Han painting, they are the evidence of ancestor worship concepts in ancient Chinese folk. As the cultural ancestor and patron saint of Chinese culture, the myths of Fu Xi and Nu Wa still live in the life of the Yellow River people. For example, Tianshui “people sacrifice ” festival; Taihuoling Temple in Henan Huaiyang incense and sacrificial rituals, elegant and solemn ancestors praised the message, praying for the grandson of children praying, tied to the doll ceremony, dressed in a Xuan Yi, demeanor of the wind and the devil “bear by the pick ” religious dance, people in the rich religious atmosphere naturally think of Fu Xi, Nu Wa mythology in the year how to play the “sacred narrative ” spiritual and cultural role.