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青年,是戏剧的一个阶梯。这一个阶梯,由过去筑就,又关涉着未来的明日戏剧。这一个阶梯,由我们筑就。了解他们,就是了解自己,有时甚至获得不通过他们就难以拥有的判断。处于二十世纪九十年代,我们已颇有心理承受力的面对青年与戏剧的背离现象。在我们固有的成见中,流行歌曲是青年男女们热衷的娱乐形式,影视名星亦使他们为之倾倒而反复地争睹其风采。在戏剧疲软之时,这
Youth, is a ladder of drama. This ladder, built from the past, relates to the future of tomorrow’s drama. This step, built by us. Knowing them is about knowing yourself, sometimes even judging that it is difficult for them to pass without them. In the 1990’s, we have been quite mentally enduring in the face of the departure from youth and drama. In our inherent stereotype, pop songs are a form of entertainment that young men and women are passionate about, and movie and television stars have also made them vilified and repeatedly vied with their demeanor. This is when the drama is weak